Whose Story Is It?
General
- Nature
as nurturing and benevolent life force that only punishes those who
transgress
- Victor
is morally responsible for his acts
- The
Creature is potentially good but driven to evil by social and parental
neglect
- The
DeLaceys, a family that loves its children, offers the best hope
- Human
Egotism causes the greatest suffering in the world
- All
stories variations of each other
- Fathers
and sons are almost equally responsible and irresponsible
- A
birth myth
- Abandons
child
- Deficient
infant care
- Emphasis
on trauma of after-birth—mothering
- Victor
defies mortality by “giving birth”
- Some
Common Critical Perspectives
- Dangers
of science/knowledge
- Existential
fable (ultimate alone-ness)
- Split
between reason and feeling
- Excesses
of Idealism/Genius/Imagination
- The
Divided Self
- Stultifying
force of social convention
- Prejudice
- Victor’s
apparent antagonist: God as maker of Man
- Victor’s
real competitor: woman as maker of children
Allusiveness—a very literary text
- Percy
Shelley’s poetry
- Mary
Wollstonecraft—female education; bad parents; justice
- William
Godwin—benevolence and education; Caleb
Williams
- Byron
as in the Byronic hero, especially Manfred
- Rime
of the Ancient Mariner—specifically alluded to several times
- Walton—the
Wedding Guest
- Victor—the
Ancient Mariner
- Paradise Lost (everywhere,
including the title page)
The Title Page
- anonymous
publication
- Modern
Prometheus—who was Prometheus?
- Greek
Prometheus stole fire from Zeus to give to humans (an act of sympathy)
for which he was punished
- Roman
Prometheus fashioned human from clay and animated it with fire stolen
from Jupiter (an act of ambition?) for which he was punished
- Paradise
Lost quotation—Adam’s lament in Book X
- Whom
do we associate with Adam in this book?
- The
Creature
- He
was made
- Questioning
creator/creation
- The
creature says it
- The
creature’s self-hatred/self-loathing
- Raises
the question of what is means to be human
- Victor
- Victor
did it
- He
eventually says it/feels it
- Is
Adam right?
- Who
in the novel is Adam? If Frankenstein is Adam, then Adam is wrong; if
the creature is Adam, then perhaps Adam is right.
- What
is the tension/relationship between Prometheus and Adam?
- Both
disobedient
- Both
eternally punished
- Adam
hurts humankind, Prometheus helps—Did Adam do humans a favor?
Structure
- Nesting
boxes
- Walton’s
letters to his sister
- Frankenstein’s
dictated story (which he later corrects)
- Story
of Caroline Beaufort
- Story
of Justine Moritz
- The
Creature’s telling of his story
- books
found
- letters
from the DeLacey’s
- The
Creature’s final scene
- Emphasis
on Documentation and Proof
- Walton’s
obsessive letter writing
- Victor’s
Scientific inquiry and investigation
- Elizabeth
Lavenza’s concerns about Victor’s fidelity
- Two
Trials
- Justine’s
conviction
- Victor’s
release (an inquest)
- Creature’s
documents
- Victor’s
journal
- Paradise
Lost, Plutarch’s Lives, The Sorrows of Young Werther
- letters
from the DeLaceys
- Setting
- Everyday
life: note the complete absence of “realist” description of the ordinary
places in the book—the Frankenstein home, the university, the various
inns visited and so on.
- Beautiful
and Picturesque landscape
- tours
through the Rhineland
- visit
to Oxford
- and
many more
- Sublime
landscape
- sea
of ice—glaciers of the Alps
- waste
of Orkneys
- unreal
landscape of the Arctic Sea
Who is the Hero?
Walton’s Story?
- Double
of Victor (like the Wedding Guest seemingly singled out for moral lesson)
- Explorer
(Enlightenment model of scientific discovery)
- Relationship
to Nature—Baconian (seek out Nature in her hiding places)
- Ambitious
for name and fame (though the question of what they are really ambitious
for is pretty unclear)
- Sister
safely at home in bourgeois family—His only human connection
- He
moves further away from the known and protecting world (St. Petersburg,
Archangel)
- He
defies his father’s injunction
- He
rejects community (as Victor does but not as strongly)—he returns defeated
but he nonetheless returns
- Walton’s
desire for a friend—a kind of self-love
- Self-love
= narcissism = selfishness—he’s ready to endanger crew, why? for fame?
Frankenstein’s Story?
- Dark
Romantic/Gothic figure: almost a cliché of Romantic anti-hero (think
Manfred)
- Greater
than others but flawed
- Ambition
both his greatness and his downfall
- In
stark contrast to “puny” middle-class society
- His
expression prized above all else—I must create and damn the consequences
- Ambition
clearly tied to Selfishness in Volume 1
- His
selfishness
- forgets
about home for first two years he’s at university
- abandons
the creature and worries about his suffering
- abandons
Justine and worries about his suffering
- later
he will abandon Elizabeth strangely unaware that she is threatened
because he will think himself threatened
- Why
does he create the Creature?
- Suffering
over his mother’s death?
- Misguided
in his studies—father should have diverted his attention
- God-like
power—a new species would bless me as its creator
- Ultimate
creativity available to women but denied men
- What
does he do about the consequences?
- abandons
the Creature
- attempts
to return to his life
- is
awakened by death of William—he knows it is the Creature; finally
recognizes what he has done, but still does nothing about it
- allows
Justine to be executed
- Where
is God? The Possible Scenarios
- God
created humans and manages their world
- Victor’s
desire to be god-like must fail because he is not god
- he
can only create a monster
- his
foolish ambition would therefore need to be punished
- Both
Victor and the Creature are Adam (human) and Satan (fallen angel)
- God
created us and left (we have been abandoned)
- Again,
Victor’s desire to be god-like must fail because he is not god
- he
can only create a monster
- However,
his actions mimic God’s actions and therefore he does not need to be
punished
- Victor
is God (creator), Adam (human), and Satan (fallen angel); the Creature
is Adam (human?) and Satan (fallen angel)
- Humans
created God (or the gods)
- Victor’s
desire to be god-like could succeed (why not?)
- he
might be an imperfect creator but he is so not because he is human but
because he is Victor
- no
punishment for creativity; though he is punished for breaking all ties
to community
- Both
Victor and the Creature are God (creator), Adam (human), and Satan
(fallen angel)
- Victor
creates Creature, Creature creates destruction
- Victor
occupies Eden as does the Creature
- Victor
falls as does the Creature
- Who
serves whom?
- Creator
serves Creation
- Creature
demands another being; eventually says I am your master
- Victor’s
recognizes duty as creator (but the problem of free will)
- Parents’
duty to children
- Safie’s
father’s betrayal of Felix
- Victor’s
father’s lax parenting
- Victor’s
mother’s untimely death
- Justine’s
mother’s favoritism
- Creation
serves Creator
- A
new species would bless me as creator and source
- DeLaceys
as Creature’s protectors—he serves them
- Victor’s
pursuit of Creature—Creature sustains him
- Children’s
duty to parents
- Walton
defies father
- Victor
ignores family (repeatedly)
- Felix
brings ruin on DeLaceys
- Victor's "true" crime?
- Is not creating another being (and therefore "playing God," or overreaching, or "one step higher would set me highest")
- His true crime is not taking responsibility for his action/creation
- In the moral universe of the novel, the "bad act" (which Victor repeats throughout) is
failing to recognize that he lives in mutuality and therefore has responsibilities and duties to his community
Creature’s Story
- Story
of experience, of becoming “human”
- Coming
to consciousness
- Real
question: Not how does one make life out of dead bodies, but what does it
mean to become a sentient being and ask the big questions about life?
- Begins
in confusion
- Confused
senses
- Light
and dark only
- Self/object
boundaries
- Hunger
and thirst
- Pain
instinctive (physical, emotional, spiritual)
- Sense
of alienation instinctive
- The
need for comfort is as necessary as food or drink
- Looks
at moon in wonder and awe (a shadowy enlightenment)
- Narrative
of innocence/naïve relationship to world
- Language
of giving and taking
- Everything
comes from a creator who both gives and takes
- Omnipotent
- Creation
begins with consciousness
- Consciousness
begins with perceptions
- Shelley’s
main deviation from the education/enlightenment story is her insistence
on an innate need for spiritual guidance and emotional sustenance
- Fire
(Promethean)—But where is Prometheus?
- Paradoxical—both
provides light and causes pain
- Cannot
simply follow instincts, must learn
- No
one brings fire to creature; he stumbles on it—we must make our way, no
creator to help us
- Self-authorship—the
way was all before us, which way to choose
- Why
Can’t the Creature Learn Speech on his Own?
- You
need to hear
- You
need someone to talk to
- You
need others
- What
is Speech?
- Interaction
- Sharing
- Reciprocal
- Story—his
story will make the invisible visible—will show the good soul under the
hideous exterior
- Model
of Speech—Bird’s song
- “express
my sensations”
- presupposes
that because the bird’s song gives him pleasure, it must be expressing
the bird’s pleasure—this is complete egocentrism, no self/object
boundaries
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